EDITING YOUR BOOK!
I work with writers step by step rather than edit after the fact. This is a good option if you're in progress. I can help you grapple with structure, sharpen focus, develop, and bring clarity by providing direction and hands-on help. I edit "as needed." For instance, I avoid copyediting a first draft in favor of focusing on the fundamentals. Further drafts in, however, I get more specific.
I do very little editing now and refer most clients out to other editors who've gained my trust. I am not adverse, however, to taking on a new project, but I have to be really really excited about it because I devote most of my time to designing your book after it's edited. For your convenience, I've provided definitions of the various stages of EDITING. They are summaries only. The ellipses that follow will link you to further details. Just click.
The copy editor makes a manuscript compliant with standard English grammar and punctuation and is the most common level of editing. Very little is a judgment call. Authors receive a pencil-edited compliant manuscript that may include...
The Style Editor standardizes the formatting of text according to one of four manuals. There's no right or wrong way to head a chapter but consistency is necessary. Author receives a pencil-edited formatted manuscript that may include...
The Substantive Editor (sometimes called developmental or content editor) addresses the functional issues, pointing out elements that derail the narrative by assessing logic, clarity, structure, and organization. The Substantive Editor renders the narrative clear, concise, and easy to read at the sentence, paragraph, and chapter level. Ultimately, she makes the manuscript functional for readers. Authors receive suggestions for author reflection and a heavily pencil-marked functional manuscript that may include...
PROOF EDITING—I's Are Dotted, T's are Crossed
The Proof Editor reviews your material before going to typesetting. Making sure every letter and every word are correct.
FAMILY HISTORY—I'm really into family histroy. I help you find ways to set your anscentors in place, context, and time. And I work with you on the old photos and mementos.
FICTION—I love biographical novels, historical novels, contemporary women's fiction, Biblical fiction, high drama page turners, and slow, character-driven stories. I like it all. Put me in a new setting where someone is forced to encounter themselves—and give me some skin in the game. I don't do science fiction, horror, or anything above the sweet romance grade.
NONFICTION—if the topic interests me, also memoirs and family histories.
I'm tough because I like editors who are tough. It's how I learned to write—and how I continue to improve. The thing to keep in mind is you're in charge. You decide how much input you want, and you have the last say. And I do try to be nice. I appreciate the process and will always point out and praise the areas that really work.
getting started is easy
You don't have to have your project all figured out. Just contact me and we can decide together what works for you and your budget.
my rates are based on the...
Editorial Freelancers Association's Guidelines
|Copyediting||.. $ 75 / hour|
|Style Editing||.....$ 75 / hour|
|Substantive Editing||.....$ 75 / hour|